North Carolina Literary Review
Exploring North Carolina’s Native American Literature
Postcards from Cherokee
an essay by Annette Saunooke Clapsaddle
Mountain Biking, Bottle Trees, and Black-eyed Peas: Annette Saunooke Clapsaddle’s Creative Nonfiction and other Writings
by Mae Miller Claxton
art by Jody Bradley
Not Either/Or, but Both:
Cherokee and Appalachian Identity in Annette Saunooke Clapsaddle’s Even As We Breathe
by Erica Abrams Locklear
art by Jody Bradley
“Imagining Otherwise,” Cherokee Futurism, and Riding the Trail of Tears: An Interview with Blake Hausman
by Miriam Brown Spiers and Kirstin L. Squint
art by Jody Bradley, John Henry Gloyne, and Rhiannon Skye Tafoya
Honoring Native Heritage through the New American Baroque in Gladys Cardiff’s A Bare Unpainted Table
by Jill Goad
art by Joshua Adams, Jody Bradley, and Freeman Owle
Fermenting
a poem by Mary Leauna Christensen
art by Rhiannon Skye Tafoya
Harvest Time
a poem by Tonya Holy Elk
art by Joan C. Blackwell
The Politics of Recognition and the Power of Place in Lumbee Women’s Poetry
by Jessica Cory
art by Gene Locklear, Gloria Tara Lowery, and Raven Dial-Stanley
Coming Home: Affirming Community through Lumbee Children’s Literature
Randall Kenan Prize essay by Jane Haladay
art by Bea Brayboy, Evynn Richardson, and Raven Dial-Stanley
She Said That Saint Augustine is Worth Nothing Compared to Her Homeland: Teresa Martín and the Méndez Cancio Account of La Tama (1600)
John Ehle Prize essay by Melissa D. Birkhofer and Paul M. Worley
art by Earl Robbins and Caroleen Sanders
